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went home , fell out ,
can feel that draining feeling , that lack , that light , that need
to convince myself
I’m doing a very specific thing , it can’t be extrapolated – I’m in my own zone
and accompanying myself to its bright black edge . real demon hours ,
carnival hours . C says I literally love life – anything can happen ! so I asked
the black night , please , give me a form to rest in , a veil of tears through
which I can conceive of your body ... it’s flip – it’s a way of not committing
self impalement – it’s a draining procedure
then a little sun warms the room , this ecstasy of heat by which our skin
perceives light – a bit of radiation
but I thought we were done with all that dermal propaganda ,,,..
we’re never done with it
a gate screams on the street and a man screams with it –
but doing that one dance , I think my back broke , exactly ,
I was in fog and in trouble
I saw myself get up and I saw myself stagger
it’s dark outside on this waning public street
and there’s a weight on my ankle , 100 pounds , 200
salmon , lichen , birch oil
no , no , yells
the non-diegetic griever
I care so much about you
something is so right
I’m in the process
of degodding my life ,
unknuckling the hand
of the father – and further
pages from my notebook .
I actually think I love you .
everyone’s touching scale when
they access these feelings
not shivering in a tangle of materials .
it is electric ! to eat , be delivered
to hear the alarm that ends alarm , forever
Benjamin Krusling works in sound, language, and moving image. He is the author of the book GLARING (Wendy’s Subway, 2020) and a digital text-image project, i have too much to hide (Triple Canopy, 2021), and currently pursuing a PhD in English at CUNY Graduate Center.